Sound Process

The sound: Unspoken words into organic visions (work in progress)

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Drums are not drums ( portrait 1 ). Objects to consider as potential sound tools and sonorities approach out from traditional instruments, or in addition to them as the main instrument. First of all we want to consider snare drums as resonators. Snare drums are natural amplifiers.

SPECS
1.- Use any kind of surface, materials and textures as sticks
2.- Use any kind of surface, materials and textures as drums
3.- Rhytmic combinations around wood, plastic and metal
4.- Scratch, friction and trembling rythms
5.- Flotation in drums as principle of surrounding atmospheres
6.- The voice as other important element in rhytm
7.- Cutting and incomplete notes
8.- Polyrhythm and irregular times
9.- Nuances and density vs dynamics
10.- Find the final / Clear beggining.

Sound reference/starting point:

TABLA Y CUCHILLO - 17.12.10
Ricardo Tejero & Julian Bonequi, Berlin
suRRism-Phonoethics | DIRECT DOWNLOAD

3.*Rubber..... 4:47 min
Julian Bonequi - solo vs computer fan

SOUND RECORDINGS
Documentation & Samples
Working around different materials and textures

.....fingers on metal / 00:57 min 11.02.11

.....knife & pen / 01:49 min 08.02.11

.....brush sticks / 00:22 min 07.02.11

.....foam and sticks / 00:11 min

.....sticks and celo-fix / 02:43 min

THROWING KNIVES
Final Recordings: The Complete Portrait
We will publish the final results soon as part of a main release